Magazine Sixty
Music reviews and artist interviews
Magazine Sixty brings you reviews and interviews with some of the worlds leading independent artists. Discover excitng new electronic music, revisit seminal classics and hear from the people behind the sounds.
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2017 sees the launch of your new alias: Rowee with a single for Rebellion. What’s the story behind the name and why have you chosen to use an alias? Rowee comes from a story based on a profound feeling for music, representing an alter ego; it is the darkest part of me, and at the
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Just Her’s striking production strikes at the very heart of why music matters in this day and age. That is to say it engages your mind and soul transforming the world of possibilities on offer to within your grasp. Its expansive, soaring array of sounds capsulate the mood of the moment via its cast of
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Launching their brand new sub-label On The Fence is the complete opposite to the act itself. Its succession of chiming keys demand your full attention in a way that is both reassuring yet unsettling, and are backed up by a rigorous infusion of deep bass plus probing drums that thankfully never seem to leave you
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The title track sees Adam Curtain join forces with vocalist Gloria Adereti and co-producer Jack Riley to deliver a hint of 90’s referencing soulfully charged House that produces most welcome results. Dancing on tribal beats, gritty hi-hats and a brooding bassline the vocals proceed to add the human touch to this commanding arrangement of sounds.
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Yaww’s third vinyl only escapade is unleased upon the world with the EP’s title track topically referencing that famous location in New York City via a smoky spoken narrative that blends perfectly with the tough, rugged drums and low-end theory. The light relief occurs in the sprinkle of bright keys on the Original Mix which
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Your latest: Nolan feat. Forrest – C’EST LA VIE is out now on Kittball Records. Talk us through how you came up with the idea for the track, and how you teamed up with Forrest? We’ve made about 15 songs together now but only a couple have been released so far, this one on Kittball
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And the world keeps turning. If you recently tuned into Brian Eno’s latest escapade, the wondrous: Refection then I’d strongly suggest experiencing Johannes Malfatti’s quietly epic, aptly titled Surge for many of the very same reasons. I’ll avoid the word Ambient or Ambience here for no other explanation than pre-conceived ideas. If Eno’s record was
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Two of the finest producers in Dance Music once again deliver their skillset with flawless ease. Kicking off with the pounding, thrilling array of tribal drums delivered by the excellent Touchdown, which also contains one of those standout synth moments, the production both cleverly employs a Dub sensibility alongside a feverish dancefloor arrangement resulting in
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